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Enor

she/her

Enor is a 45-year-old Black masc gay woman, born and raised in London and now living in Hove. Her identity, heritage and life experiences are all important parts of who she is, and as she has grown older, she’s developed an even deeper appreciation for where she comes from and the different influences that have shaped the woman she is today.

Her father was Nigerian and her mother is Gambian, but she and her siblings weren’t taught their parents’ languages. Her parents wanted their children to fit into Western society and believed that doing so would give them the best opportunities available. Enor understands the intentions behind that decision, but as an adult she’s felt a growing desire to reconnect with parts of her African heritage that weren’t passed down through language, and that became a driving reason for choosing an African-inspired tattoo sleeve. She wanted her skin to tell a story that felt entirely her own, one reflecting her roots and heritage while celebrating strength, resilience and the generations who came before her. For Enor, Africa represents ancestry, belonging and pride, and the sleeve is a way of carrying that connection visibly.

One of the sleeve’s most personal elements is a carved wooden African mask, tied to memories of her mother. African masks and art were part of Enor’s childhood home, and as a young adult her mother would return from visits to The Gambia with wooden carvings for her, including a mask of her own. Those memories made incorporating a mask into the sleeve feel personal rather than decorative, linking her childhood, her mother, and her ongoing journey of reconnecting with her heritage.

The finished sleeve brings together Enor’s Nigerian and Gambian heritage, her family, her memories, and her identity as a Black masc gay woman. To her, it’s more than body art. It is a celebration of identity, ancestry and belonging – a way of honouring and reconnecting with her heritage, and a personal story permanently written on her skin that she wears with pride.

Body Language.

“For over thirty years, my work has centred on visibility, authorship and who gets to be seen.
This project continues my long-term commitment to photographing LGBTQIA+ lives.
For a lot of LGBTQ+ people, modifying the body is a way of marking a transition, standing in for something lost, or taking back a body that wasn’t always theirs to shape in the first place. That personal story is one I want to tell.”

Chris Jepson, photographer